Passare I (Italia)
While composed of pure/blank color frames (often “flickering”), this is not a “Structural Film”; there’s no predetermined overall structure to the work (which is, anyway, only “chapter one” of a sort of “abstract novel” in progress, a novel which can become extremely lengthy in its projected series of chapters, a novel with a beginning, a middle but no preconceived ending). The film moves from “episodes” of different lengths and moods/rhythms/melodies, without any apparent cause-effect, like life itself, which passes on (“passare” – to pass, to pass on) from one unpredictable event/emotion to another. Each ‘episode’ is based upon some feeling, event or place and is aesthetically resolved; but there are no links from one episode to another. The episodes may be as short as one second or as long as ten minutes; each is my subjective interpretation of actual incidents, places, feelings, etc. into the terms of pure temporal color. Everything is in actual chronological order.